Just my bit of fun. I enjoy winding Kevin up.

What I said is basically true but I have seen enough products of the modern film industry to form an opinion. Heck, I've even visited the film studios in Florida & Hollywood several times over the last few years & enjoyed it immensely.
I really can't remember the last time I enjoyed watching a feature film, mainly for the reasons I mentioned - foul language & graphic violence. I can put up with the sex scenes.

I also have problems making out what the actors are saying as they seem to mumble most of the time & the sound effects always seem to be louder than the voices. If I wasn't pretty good at lip-reading I would miss the plot. This didn't work with the old Spaghetti Westerns where most of the voices were dubbed. LOL

I could go on for hours but won't bore you any longer. Basically, I'm pointing out that not everyone is as addicted to films as Kevin obviously is. I have enough of my own obsessions to worry about.

PS. I don't have much time for film critics but one exception is Barry Norman. His father was a film director (The Cruel Sea among others) & by being associated with it from an early age he probably knows a great deal more about the industry than any other critic. I respect his vast experience & judgement, he's watched over 12,000 films.

I never missed his "Film" series on BBC TV (back in the days when I actually watched TV) & found that I generally agreed with him. Like me, he doesn't have a very good opinion of modern films.
http://icliverpool.icnetwork.co.uk/0300whatson/0100film/tm_objectid=14355356&method=full&siteid=50061&headline=hollywood-and-me-name_page.html"I keep going back to the cinema hoping to see the greatest film ever made. Optimism rages - it's the only thing that kept me going as a film critic."
Norman feels most warmly about the Hollywood films of the late 1930s and 1940s.
He says: "All kinds of marvellous, timeless movies were made: Gone With the Wind, Citizen Kane, Casablanca and Bringing Up Baby, starring Cary Grant and Katharine Hepburn.
"The 1970s were about the last decade when Hollywood made films for a thinking audience.
"To the likes of the Billy Wilder pre-war generation, the script was paramount. Today Hollywood spends an enormous amount of money on special effects and they're brilliant, like The Day After Tomorrow, but it's no more than an amiable film and that's the best they can do.
"No money or energy has been devoted to writing the script of creating the characters. There's not a middle-aged audience any more, the audience is 12-25, but they're not even aiming at the brighter part of that audience, but the dumber part. Yet we've got the biggest elderly population we have ever had and it's being neglected more than ever.